Over the past few months, I’ve been sucked into the brave new world of audiobooks. Most book publishers offer an accompanying audio version, and the explosion of third-party services make it easier and easier to download a book to any portable device. (Though Audible is the most obvious subscription choice, you can support your local independent bookstore by joining libro.fm.) Thanks to Overdrive, you can even check audiobooks out of the library.
With all of this increased portability and decreased file size, we can now take our books along with us: on walks, flights, or in the car—even on the boat. (Eventually, digital assistants will be able to read us a book in voices realistic enough to be tolerable, but we’re not there yet.)
As an Author
I’m in the process of developing an audiobook for Oliver’s Surprise, which—if successful—will undoubtedly inspire an audiobook of Cape Cod Surprise, and perhaps even Game of Sails. We are already talking about the best approach to selling the audiobook rights for Ferry to Cooperation Island.
There are almost as many ways to develop an audiobook as there are ways to download the finished version, and learning about the process has been an education in itself; in addition to the usual publishing dos and donts, there are several new pitfalls to avoid. (Best example? I had to give up my initial fantasy of narrating the books myself.)
As a Reader
What fascinates me as a consumer of audiobooks is how differently I absorb with my ears than I do with my eyes. When I’m “just” listening, my mind tends to wander—unless my hands or feet are also accomplishing another goal. (I must admit, this is true of many conversations as well. Sorry Paul.) That makes audiobooks a great accompaniment for another activity, but not a great fit for bedtime reading—they put me to sleep.
Reading with my eyeballs requires full concentration. I don’t even do a good job of tuning out background noise.
As I learn to read with my ears, I’m realizing the best fit for me may be non-fiction. I recently listened to Educated, an excellent memoir that I might not have finished if I’d been reading it with my eyes. (I definitely would’ve skipped over some of the gory parts.) Currently I’m listening to What Editors Do. This content doesn’t replace the fiction I consume with my eyes; it’s becoming a way to add more reading time to my usual day.
Reading or Listening?
One question that doesn’t seem to have a good answer is whether it is possible to “read” audiobooks, or if the only proper description is “listen to.” Got an opinion, or a favorite type of audiobook? Leave a comment below, or send me an email. Thanks for reading!